Grant Recipients Grants to Artists Performance Art/Theater 2000

Richard Maxwell

A  profile portrait of Richard Maxwell in front of a blurred background. He smiles and bites the cap of a sharpie as he looks out towards something beyond the frame of the image. He wears a grey and red checkered shirt and has short grey hair.
  • 2000 Grants to Artists
  • Performance Art/Theater
  • Playwright, Artistic Director of New York City Players
  • Born Fargo, ND, 1967
  • Lives in New York, NY
  • Additional Information

Artist Statement

Yesterday, I was at Genovese buying the big 2.5-gallon bottled water and I was the only person in this giant pharmacy standing right at the checkout counter. I was reading a magazine with my water and the clerk was standing facing me, idle. I was standing three feet from her but she got on the intercom and blasted full on that her station was open with no waiting. I looked up from my magazine and I realized she was talking to me. So I put down my magazine and brought my water to her.

This may not seem to be on the surface like a profound experience, but for me, this one exchange would be enough to not only spark a play, but also perhaps BE an entire play. I see a situation that has a beginning, a middle, and an end. I see two clearly defined characters, defined by dress and speech, which tells us class, race. I see a relationship, costumes, setting, a whole atmosphere, humor, and time. This is enough to begin and hopefully enough, period. And I find that the task then is to balance the duplicity of garnering as much as possible from that isolated and insignificant experience without attaching intended meaning to it.

- 2001


New York City Players (NYCP) is a theater company founded in 1999 by Artistic Director Richard Maxwell. Maxwell is a playwright who creates narrative-driven works that incorporate the repetition and artificiality of the theater.

Maxwell's 2000 Grants to Artists award supported the works Boxing 2000 and Caveman. His subsequent works include Ads (2010), a video play; Neutral Hero (2011); Devotion (2011), a series of dances by Sarah Michelson with text by Maxwell; and House Of Dance (2013), a play written and directed by Tina Satter. In 2014, Maxwell's work Isolde was presented at Abrons Arts Center and in January 2015, he premiered The Evening at the Walker Art Center, later presented at The Kitchen.

Maxwell's video works have been exhibited at Greene Naftali Gallery, White Columns, and Anthology Film Archives. NYCP has been presented in New York and in over twenty countries. His plays have been commissioned by Festival d'Automne, Paris; Kunstenfestivaldesarts, Brussels; Project Arts Centre, Dublin; the Barbican Centre, London; Theater Bonn, Germany; the Wexner Center, Columbus; and Performance Space 122; The Kitchen; and Soho Rep. in New York. Maxwell was an artist in residence at the 2012 Whitney Biennial. He is the author of Theater for Beginners (2014), which explains his process of theater-making and aesthetic philosophy.

Years after his 2000 Grants to Artists award, Maxwell was named a 2010 John Simon Guggenheim Memorial Foundation Fellow. He received a 2012 Doris Duke Performing Artist Award, a 2012 Obie for his direction of Early Plays by Eugene O'Neill, a collaboration with The Wooster Group, and a 2014 Spalding Gray Award. Prior to his 2000 FCPA grant, Maxwell was awarded a 1999 Obie for House.

Maxwell studied acting at Illinois State University. He was the founder of the Cook County Theater Department in Chicago.

A blurred, black and white image of two people boxing each other, wearing boxing gloves and shorts. In between them, in the background, a person in a white shirt and a bow tie is visible and closely watches the boxers. The background is otherwise bare and dark with one large wooden beam and nothing else.
FCPA-supported Boxing 2000, 2000.
A black and white image of two performers who stand in front of a closed metal gate in the middle of wooden walls. One performer wears dark pants and a New York Yankees shirt and leans towards the other performer to take their hand. The other performer wears a light t-shirt and dark pants and has their long dark hair in an updo. They look hesitant.
FCPA-supported Boxing 2000, 2000.
A black and white image of three performers who stand in front of a closed metal gate and look dejectedly in front of them. The two performers on the left, wear matching grey shirts and dark jeans. The performer on the right wears a white shirt, a striped tie, and dark pants.
FCPA-supported Boxing 2000, 2000.
Three performers are in a bare white space. One performer lays on the ground while another performer reaches over them to grab their chest. A third performer stands aloof and watches the other performers with an expression of concern.
FCPA-supported Caveman, 2000. Photo by Greg Hirte.
A close up image of three performers in front of a wall made of patterned brown paper. Two performers in the foreground appear deep in conversation. The performer on the left wears a grey suit and a cowboy hat. The performer on the right wears a blue jacket and a white shirt. Behind them, a performer looks on with concern.
FCPA-supported Caveman, 2000. Photo by Greg Hirte.
Three performers stand in a grey room. Two performers appear locked in a fight. One of them wears a blue jacket and distressed jeans. The other wears a pink knee length dress and black ballet flats. These performers look intently at one another and hold each other by the neck. A third performer in a grey suit and a cowboy hat lays on the ground immobile.
FCPA-supported Caveman, 2000. Photo by Greg Hirte.