Foundation for Contemporary Arts
Dorian Wood stands at a microphone in front of a projected purple-and-white image of a person with a long lock of hair covering their eyes. She wears a green and white patterned long sleeved dress and is illuminated by soft purple light.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Dorian Wood, 2025 Grants to Artists Recipient. Performance still from Musa Cerdota at Dunlop Art Gallery, Regina, Saskatchewan, 2024. Photo by Juan Peiró.

Learn MoreClick to learn more

Dorian Wood, 2025 Grants to Artists Recipient. Performance still from Musa Cerdota at Dunlop Art Gallery, Regina, Saskatchewan, 2024. Photo by Juan Peiró.

Learn MoreClick to learn more
A vibrant watercolor and pencil triptych depicts a room filled with balloon-shaped patterns which contain fantastical creatures and microorganisms set against a dark background. In the center panel, a bird-like figure wearing a crown of vines stands atop a transparent dome filled with additional colorful microorganisms. The organisms throughout the work are highlighted in gold and appear in movement.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Fi Jae Li, 2025 Grants to Artists Recipient. Egg of Ego, 2018, ink, watercolor, color pencil, Korean gold pigment, acrylic on Korean paper, 75.4” x 153.3". Photo by Hexagon.

Learn MoreClick to learn more

Fi Jae Li, 2025 Grants to Artists Recipient. Egg of Ego, 2018, ink, watercolor, color pencil, Korean gold pigment, acrylic on Korean paper, 75.4” x 153.3". Photo by Hexagon.

Learn MoreClick to learn more
Shayla-Vie Jenkins kneels on a beach in a neon green outfit, pressing her fists into the ground as she extends her legs sideways. The sky is overcast and, in the background, additional performers dressed in similar neon green outfits crawl across the sand. Beachgoers are seen in the distance walking along the shoreline.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Shayla-Vie Jenkins, 2025 Grants to Artists Recipient. Performance still from REPOSE at Beach Sessions, Rockaway Beach, New York, 2021. Choreographed by Moriah Evans. Performed by Shayla-Vie Jenkins. Photo by Maria Baranova.

Learn MoreClick to learn more

Shayla-Vie Jenkins, 2025 Grants to Artists Recipient. Performance still from REPOSE at Beach Sessions, Rockaway Beach, New York, 2021. Choreographed by Moriah Evans. Performed by Shayla-Vie Jenkins. Photo by Maria Baranova.

Learn MoreClick to learn more
New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Performance still from Deepe Darknesse at The Collapsable Hole, New York, 2023. Performed by Lena Engelstein and Lisa Fagan, 2025 Grants to Artists Recipients, and Hannah Mitchell. Photo by Maria Baranova.

Learn MoreClick to learn more

Performance still from Deepe Darknesse at The Collapsable Hole, New York, 2023. Performed by Lena Engelstein and Lisa Fagan, 2025 Grants to Artists Recipients, and Hannah Mitchell. Photo by Maria Baranova.

Learn MoreClick to learn more
Jennifer Harge performs a dynamic movement in an outdoor space with tall, ivy-covered walls and arched windows. She wears a white long-sleeved garment and lace-up boots, mid-step with one arm extended upward and her body leaning forward. In the background, an audience watches attentively in the sunlit venue with gravel flooring.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Jennifer Harge, 2025 Grants to Artists Recipient. Performance still from there are many ways to make a clearing presented by The Black Repertory at Spring Church, Pulitzer Arts Foundation, St. Louis, MI, 2023. Music: Kurt Carr and the Kurt Carr Singers, The Clark Sisters, Tamela Mann, and Twinkie Clark. Photography by Virginia Harold © Pulitzer Arts Foundation.

Learn MoreClick to learn more

Jennifer Harge, 2025 Grants to Artists Recipient. Performance still from there are many ways to make a clearing presented by The Black Repertory at Spring Church, Pulitzer Arts Foundation, St. Louis, MI, 2023. Music: Kurt Carr and the Kurt Carr Singers, The Clark Sisters, Tamela Mann, and Twinkie Clark. Photography by Virginia Harold © Pulitzer Arts Foundation.

Learn MoreClick to learn more
David Watson, wearing a gray work jumpsuit and a baseball cap, plays the bagpipes indoors. He stands in front of a large industrial-style window with a weathered wall visible in the background, holding the bagpipes under his arm.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

David Watson, 2025 Grants to Artists Recipient. Performance still of RESTOS at Espacio Odeón, Bogotá, Colombia, 2021. Choreography by Moriah Evans. Photo by Andres Trujillo.

Learn MoreClick to learn more

David Watson, 2025 Grants to Artists Recipient. Performance still of RESTOS at Espacio Odeón, Bogotá, Colombia, 2021. Choreography by Moriah Evans. Photo by Andres Trujillo.

Learn MoreClick to learn more
Ebony Webster, Jude Evans, and Fletcher Laws are in a shallow stream surrounded by lush greenery. One performer lies in the water with their eyes closed, while the other two stand to their side. The downstream performer holds a bunch of flowers and foliage over the person lying in the stream, and the upstream performer gently places a hand on their forehead. All three wear white outfits.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Ebony Noelle Golden, 2025 Grants to Artists Recipient. Performance still from 79 Moons: a visual poem at Double Edge Theatre, Ashfield, MA, 2022. Performed by Ebony Webster, Jude Evans, Fletcher Laws, Karma Mayet Johnson, and Brittany Grier. Photo by Bleu Santiago.

Learn MoreClick to learn more

Ebony Noelle Golden, 2025 Grants to Artists Recipient. Performance still from 79 Moons: a visual poem at Double Edge Theatre, Ashfield, MA, 2022. Performed by Ebony Webster, Jude Evans, Fletcher Laws, Karma Mayet Johnson, and Brittany Grier. Photo by Bleu Santiago.

Learn MoreClick to learn more
Our Mission

FCA encourages, sponsors, and promotes innovative work in the arts

Learn MoreClick to learn more

2025 GranteesSee All 2025 GranteesView All

23 artists working in 5 disciplines

Asher Hartman grins at the camera as two kittens appear to leap from his body towards the foreground. He is wearing rectangular-framed glasses, a dark suit, and a patterned tie, and stands in front of a black background.
Asher Hartman
Grants to Artists
Performance Art/Theater
Jennifer Harge looks directly at the camera in a close-up portrait. She is wearing a black tank top and layered gold necklaces, set against a textured wall with a workspace and art supplies visible in the background.
Jennifer Harge
Grants to Artists
Dance
Dorian Wood stands smiling against a black background. Centered, she faces the camera with her hands in her pockets. She wears a black dress with embroidered flowers and leaf earrings.
Dorian Wood
Grants to Artists
Music/Sound
A close up, black and white portrait of David Watson. His face is turned away from the camera and he looks up and to the right, illuminated by an overhead light. He wears a grey T-shirt against a black background.
David Watson
Alvin Lucier Award for Music
Music/Sound
Mary Ruefle gazes up at the camera, shrugging her shoulders. She wears a navy blue suit and a white button down. Her hands clasped, she stands against green velvet curtains under a bright light.
Mary Ruefle
Grants to Artists
Poetry
Alex Tatarsky stares at the camera, using their hands to pull their mouth into a smile. They wear bright red lipstick, a black cap, a feathered top and a green coat. They stand against a red fabric background under bright lighting.
Alex Tatarsky
Grants to Artists
Performance Art/Theater
A black and white portrait of Jon Kinzel, who is centered and staring straight at the camera. Against a dark background, he is in high contrast, wearing a light plaid shirt.
Jon Kinzel
Grants to Artists
Dance
Jacqueline Kiyomi Gork is slightly angled toward the camera, looking directly into the lens. They are wearing a beige blazer against a clean, softly lit white background.
Jacqueline Kiyomi Gork
Roy Lichtenstein Award
Music/Sound

In Memoriam: Carolyn Brown (1927–2025). Carolyn Brown was a dancer, writer, founding member of the Merce Cunningham Dance Company, beloved member of the FCA community, and Board member for over 35 years (1966-2001).

In Memoriam: Carolyn Brown (1927–2025). Carolyn Brown was a dancer, writer, founding member of the Merce Cunningham Dance Company, beloved member of the FCA community, and Board member for over 35 years (1966-2001).

Photo by James Klosty.

FCA: Artists for Artists
About FCA

FCA: Artists for Artists

In 1962 Jasper Johns, John Cage, Robert Rauschenberg, and other painters and sculptors came together to help Merce Cunningham and his dance company finance a proposed season on Broadway by arranging for a sale of their artworks. Their fund-raising efforts were so successful that there was money to spare, and when they asked Cunningham what he thought they should do with it, he replied, “We’re all in the same boat—why don’t you give it to other performing artists?” Thus in 1963 Jasper Johns and John Cage established the Foundation for Contemporary Performance Arts based on the belief that visual artists—painters and sculptors—were sufficiently concerned about the state of the performance arts—dance, theater, and music—enough so to donate artwork to benefit performing artists. 

Learn MoreClick to learn more

Learn MoreClick to learn more
Grant Impact

"When the news reached my ears that I was a recipient, I knew for the first time I would be able to produce a new creative work as I had dreamed it would be, rather than having to make the closest approximation of it due to a lack of funds."

— Christopher Williams, choreographer
2006 Grants to Artists | Dance

Works for SaleView AllView All

Purchase a donated artwork to support FCA's programs

John Baldessari: Double Bill (Part 2), John Baldessari, 2012
John Baldessari
"John Baldessari: Double Bill (Part 2)"
Youngerman, Jack Youngerman, 1973
Jack Youngerman
"Youngerman"
Untitled, 1988, Keith Haring, Date unknown
Keith Haring
"Untitled, 1988"
Lily Scent, Robert Rauschenberg, 1981
Robert Rauschenberg
"Lily Scent"

Follow UsInstagramView All